The faces of loved ones often fall as quickly as their hearts with the news of yet another striving artist setting off on a quest to write, produce and star in a web series—and with good reason. Once upon a time, the novelty value of the web series as a form was enough to secure some modest viewership.

They are independent because only loved ones could ever endure them…which is why friends and family get squeamish at the first mention. These are some tips I wish I had known before getting started:.

Are you creating your show for 18 year olds? Then plan on second episodes.

Do you want to make a show for Millenials commuting to work? Be sure you anticipate how people will be watching, and then shape your storytelling to accommodate that. While cost-effective, the Unemployed Roommate genre is so worn out that even your mom may not be persuaded to watch.

The possibility for spending in the world of digital production is limitless, but the possibility of financial return on web content is limited. This can make a world of difference in catching the eye of sponsors and project partners. A guest star appearance may only require a few hours of time on behalf of a celeb, but it will save you days of legwork when it comes to self-distributing. Unless you have a particular strategy to transcend the anonymous sea that is YouTube, try your best to find a supportive project partner.

You can save yourself a world of pain by developing a clear strategy for your web series from conception through to market—something most artists fail to consider. Hedge your bets and diversify your means of going viral: Think outside of the box. This Article is related to: Filmmaker Toolkit and tagged Filmmaker Toolkit , First Person , Web Series , Web Video. We totally made a webseries… Can you take a look and let us know what we did wrong?

The unemployed flatmate genre is not thrashed, the unemployed stoners in a flat story yes but there is so much more one could do around two characters then just write them in as two stoners. Your email address will not be published. Filmmaker Toolkit Podcast, Ep We discuss two film festivals — LAFF and BAMcinemaFEST — and why one is more successful than the other. A look at the odds for some of the key drama races, and whether they match up with expectations.

What the decline of theatrical releasing means for low-budget filmmakers trying to get a foot in the door.

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The show has a gritty, visually aggressive look for a period show on a budget. Here's how they do it. Continue to IndieWire SKIP AD.

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The Secrets to Recreating Film History the Right Way. Comments Miguel May 12, 6: RudeBaby May 12, 6: Chris May 12, 6: Patrick May 12, 6: Tyson Heil May 12, 6: I agree with Matt.

Student Heroes Experiment youtube May 12, 6: This is a wonderful article! Great words of wisdom and of course, encouragement.

The Business of Web Series: What are the Returns on Online Episodic Content — Monetary or Otherwise? - MovieMaker Magazine

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How a Chance Encounter With Terrence Malick Turned Trey Edward Shults Into a Filmmaker Filmmaker Toolkit Podcast, Ep From Indie to Tentpole: Espionage, All on a Basic-Cable Budget The show has a gritty, visually aggressive look for a period show on a budget.